The Stone Gods : Temple of Rock

Music, Media and Muses

Review – Stoke-on-Trent Victoria Hall

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baconmusic.co.uk

19th November 2008

Things continued in a positive manner as STONE GODS opened their set with the brilliant ‘Burn The Witch’. STONE GODS are of course the band that has risen from the ashes of THE DARKNESS, but with much more of a darker edge, they are considerably more likely to earn the respect of real rock fans, which in truth, THE DARKNESS never did.

Tonights half hour set showed that STONE GODS have some really strong material in their locker, and could well be a band to look out for in the future. My only real criticism of the band would be that frontman Richie Edwards didn’t sing half as well as he does on record. Having read great reviews of the band’s live performances before, I did wonder whether this was a one off, or whether the bands hectic tour schedule has finally caught up with him. I guess this question can only be answered the next time I see the band, and yes, there definitely will be a next time, because the band were otherwise brilliant.

(There’s a lot more to this review, I only put up the Stone Gods part.)

Review – Newcastle Carling Academy –

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ishootgigs.com

17th November 2008

The only thing I knew about Stone Gods was the legacy of ‘that band’. After watching their scintillating performance tonight, I refuse to mention what they’ve left behind. Stone Gods are their own band, and its no exaggeration when I say they’ve just delivered the best set I’ve seen in 2008.

The connection between the crowd and Stone Gods was something I havent seen at the Academy for a very long time and it’s very rare that I’ll stay and watch a whole show from a band if I don’t know any of their material. Tonight though, there was an energy and raw bloody aggressiveness that kept my eyes peeled to the stage until the end.

The thing is, Newcastle is a special musical area – if a band give their all, the crowd give it back ten times over. Imagine the scene then when Richie Edwards anhilliated the stage – climbing speaker cabs? check. Stage diving? check. Playing in the middle of a mosh pit???? check. This band is going places, and soon.

So in summary – if you havent guessed – this was a great gig to shoot. 24-70 and 10-22 were used throughout as the band was pushed too close to the front of the stage for me to warrant the 70-200.

(There are some great photos but they are copyrighted to the site, please have a look.)

Temple Talks To Robin Goodridge

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The Temple were fortunate enough to catch up with the lads, specifically Robin our new God, in Sheffield on the Airbourne Tour – 6 November 08. Check out Robin discussing his past, his transition into Stone Gods, and the future… oh and his favourite nuts!

Part One

Part Two

Interview with the band at the Carling Academy, Birmingham

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5 November 2008

I cannot deny being more than a little excited about meeting what is undoubtedly the most promising new band in the UK at the moment, and perhaps I was a little nervous too. However, the moment we set foot in their dressing room, Richie, Dan, Toby and Robin were the perfect hosts and made James the photographer and I feel instantly welcomed. I scanned the room for diva style demands, and spotted Ploughman’s sandwiches and bottled water. When they asked after James’s son (whom they had met on a previous interview) I knew from his proud grin he would be good for nothing for the next ten minutes, and so I made a start.

Rock3: You’ve been quoted to say you are not interested in fame, power or being celebrities, but as The Stone Gods popularity increases, how will you, as a band, maintain the music as a priority?
SG: Given the fact that everyone has been there before we can see the pitfalls now and have learnt lessons and grown in maturity. The experience has helped us to say no to things now whereas first time round you’re finding your feet really.

Rock3: You had high drama with Ed Graham leaving as you did your first headline tour. Robin stood in temporarily, and Stuart Cable too for the Kerrang! gig and then Robin joined you officially. Was this a natural progression? Were dynamics and ethos the main considerations for you?
Robin: A previous employee of Bush knew these guys well and knew my style musically and so he thought it would fit the band. You never know until you play together really, but as a musician he knew it could work.
Richie: We had a few days rehearsal before Donnington, and before we got to the chorus of Burn the Witch we were all looking at each other like ‘it’s going to be alright’. In fact for me one of the best moments so far was when we played Donnington with Robin. It just felt right and we were tighter than we’d ever been even though we’d only had a few rehearsals.
Dan: For me it really helped with the confidence when we were on stage that it all seemed to fit so well.

Rock3: Toby, your Cable Guy diary on the website had me in bits. I see you’re also doing a tour blog. You write to entertain and informatively, is this going to be a side line for you? Can we expect more, or a side line into children’s books?
Toby: Nah, Mills and Boon. Ha ha. We might do a podcast though. I’m going to try and do it (the blog diary) every few days. It’s good to do it.
Dan: On the previous project they asked me to do it and it wasn’t as informative as Toby’s. They usually started off with “Woke up really hungover”.

Rock3: Do you find it difficult to shake off the shadows of The Darkness?
SG: Initially when we’d dusted off the glitter and started this band all the interviews were asking about it, but when you come from a successful band it’s going to happen really. But now we’re finding the questions are less and less about how it was and more about if we feel we’ve shaken it off. Its not something we shy away from, to be honest. Every band has a history, and what a history to have. But its not something we’ve ever used. It was very difficult to get deals but we knew from our previous project who we could actually trust so we were really very lucky, although we were starting from the grass roots up, just like anyone else. One of the worst things was that you put so much work into an album that if the first track has bad reviews the whole album can get shelved. That thought was very scary for us.

Rock3: ‘Don’t Drink The Water’ reminded me on first listen of The Little Angels. Were they amongst your influences?
SG: There’s stuff we all like collectively but we also have a mix of music. It’s like making a cake, the stuff we like collectively is the foundation, but you can decorate it any way you like. If any of us have any suggestions we’re all open to different stuff. It’ll be interesting when we go into the next stage and are writing with Robin to see how that influences it. But we’re very open to each other’s suggestions and ideas because we’re four people that really like music.

Rock3: You are on a very intense touring campaign to promote Silver Spoons and Broken Bones, but what do you plan to do at the end of it?
Richie: The goal is to register on the Rock Richter scale. We hope to get the festivals in the summer, but early next year maybe overseas. We’ve started to get interest from the US and Europe so we’ll see what happens. As far as taking a break goes, it’s not going to happen.

The twenty minute slot flew by and I could have happily sat chatting to them for hours. They were polite, amusing, and pleasing company. During the Airbourne performance SG came over and said hi, asking if we’d enjoyed their set. Then they happily chatted to and posed for photos with some of their fans on the balcony, which will have made the night of a young girl in a wheelchair. Their naturalistic attitude is endearing and refreshing. Their music is addictive. The Stone Gods will go far and we at Rock3 love them!

©Meriel Flavell 2008

Rock 3 Music

Review Birmingham Academy

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Rock 3 Music

05 November 2008

Having interviewed the Stone Gods before the show started (quite possibly the nicest men in rock today) photographer James and I loitered at the back of the Academy watching the warm up act, Sound and Fury, erm, warming up. Airbourne’s Joel came over and introduced himself to us, and although slightly star struck, we had to giggle as he was asked to show his back stage pass to security before disappearing into the dressing area. The crowds spilled in, the beer began to flow…

Stone Gods entered the stage to an enthusiastic response, and if I am not mistaken, the Indiana Jones theme tune. Straight into Burn the Witch, the room began to bounce. Dan and Toby were in perfect sync during harmonies whilst playing like they were born to hold a guitar. Richie kept the crowd’s momentum with his energy and charismatic antics, and Robin held strong beat to gel the finished product.


click the image for more photos

Throughout the set the audience fed off their passion and responded with claps and vocals when told and singing the lyrics back word perfect. I’m with the Band prompted plenty of jigging about on and off stage and the closing bars were teased out to a big ending. The Stone Gods gave an exhilarating performance and displayed an obvious passion for putting it out there and playing it live and loud. After such a fantastic stage show with an outstanding sound track they were sure to have won over many new fans that night, and I should imagine their new album Silver Spoons and Broken Bones enjoyed a rise in sales soon afterwards.

Gorleston Review – Ocean Rooms -

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Yarmouth Mercury

Stone Gods review

03 November 2008

The Stone Gods bought both grit and polish to their performance at Gorleston’s Ocean Room on Thursday night.

Taking to the stage to a rapturous reception, the band packed plenty of punch performing tracks from debut album Silver Spoons and Broken Bones.

Front man Riche Edwards was both charismatic and engaging working the crowd throughout a set where the excitement level never dropped.

The gig was something of a homecoming for Lowestoft born guitarist Dan Hawkins, who formed Stone Gods with Edwards and bassist Toby MacFarlaine from the ashes of The Darkness.

Combing pile driving rock numbers like Burn the Witch with tongue in cheek current single Don’t Drink the Water the intensity never dropped.

Amongst the highlights of the evening was Magdalen Street, an ode to the legend of a ghost called Sarah who haunts a house on the Norwich thoroughfare.

Returning for an encore, Stone Gods ended on a crescendo with high octane renditions of Defend or Die and the Metallica anthem Whiplash.

The concert was part of a music programme for the Yarmouth Out There Festival and included performances from local bands Plan Nine, Circus and Hellcat.