The Stone Gods : Temple of Rock

After losing gobby frontman Justin Hawkins, former The Darkness members have picked themselves up and re-applied their hairspray and produced their debut album as Stone Gods. With hard rock pioneers Megadeath still churning out albums and relative newcomers Dragonforce building up a fan base of young and old alike, there is obviously still a gap in the market for big hair and spandex. With support dates booked on Thin Lizzy’s tour you wonder if they will be relegated to these kinds of support slots, or worse swallowed up by the cover band scene.

Hawkins is certainly not missed, as former bassist Richie Edwards steps into his place with the strained vocals of a Sebastian Bach and though less catchy, the songs certainly have more credibility.

Opener ‘Burn The Witch’ kicks off proceedings nicely, it is a fun, thrashy tune full of energy. They take the AC/DC approach to lyric writing, with gems like “the flames are going to lick around your wizard’s sleeve”. ‘Don’t Drink The Water’ keeps the pace well, with blast beats a plenty and the tongue in cheek solo half way through that sounds like a samba instrumental on a Casio keyboard.

‘Knife To A Gunfight’ has a sleazy pool hall vibe and is not the witty take on public affairs you might think, as the chorus “you brought a knife to a gunfight…so fuck you” reveals. These tracks can’t be taken too seriously but show how the band has grown out of the self parody of The Darkness. ‘Magdelaine Street’ is clearly a highlight, showing they are capable of more than puns and aping their idols. The hushed backing vocals and jangly rhythm frame a beautiful guitar solo half way through. They tread the line between indie and rock well here and provide one of the most memorable moments on the album.

The halfway point sees the obvious ballad in ‘Lazy Bones’, but there have certainly been less original attempts. It is on the cheesy side, but is a well crafted song that shows the band to be technical musicians.

‘Wasting Time’ and new single ‘Knight Of The Living Dead’ end the album in great style and showcase Edward’s voice effectively. Particularly in the aforementioned, where his grizzly tones bring the soul to a song which shows they have a serious side.

The album is over the top and nonsensical at times, but every song has a place and it feels like a product of love more than trading on their celebrity. Overall it isn’t the most current album you will hear all year, but if you like your rock catchy and flashy there is much to enjoy here.

themusicmagazine.co.uk

With the split of The Darkness it seems that we are going to get two great bands for the price of one.  Whilst Ex-darkness frontman Justin Hawkins has been busy with Hot Leg, the rest of the darkness band members including brother Dan have formed Stone Gods who deliver an awesome Rock punch.

Their debut album (silver spoons and broken bones) came out in the first half of last year and it didn’t seem to grab much attention yet I have it as one of the albums of the year! Why? Because it has everything you want from a rock album. Big guitar riffs, squealing solos and tight snappy vocals are all part of the successful recipe.

A great album though, needs to have a catalogue of hits. Just take your pick from this record. “Making It Hard” has a catchy melody and uplifting vibe while the explosive summer anthem “Don’t Drink the Water” is a great seasonal delight. Else where, there are no nonsense tunes like “You Brought A Knife To A Gunfight” which solidify the album with brilliance.

Hopefully a second album will be released later this year and prove that Stone Gods are far from a one hit wonder –  but if you can’t wait till then, then there is always my favourite track “Breakdown”, which for some bizarre reason never featured on the album.

Steve

theregoesthefear.com

Jan 2 2009 by Jade Wright, Liverpool Echo

BRISK metallish powerpop from the leftover members of the strange phenomenon that was The Darkness, this calls seventies rocky pop bands such as the Sweet to mind. Stone Gods features Justin Hawkin’s brother, Dan, and bassist turned frontman Richie Edwards, whose performance oddly reminds of Suzy Quatro in Devil Gate Drive. The brief incongruous Caribbean steel drum break only adds to the sense of mucking about that so incensed the metalheads back in their Darkness days.