The Stone Gods : Temple of Rock

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Stone Gods Singer on Touring, Success and the Darkness’ Pop Appeal

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There are bits and pieces of this interview on this site.
Richie Edwards

Date of Interview: February 2008

In this Stone Gods interview frontman Richie Edwards discusses success, avoiding The Darkness pop crowd and promises that Stone Gods will tour, tour, tour…Is the immediate plan to be putting yourselves out on the road?Richie: “Yeah. I mean, we did a small tour in January which was fantastic. It went really well and we basically just want to continue in the same vein. We’re hoping to squeeze in a support tour in March and then some more of our own dates in May and the June through September it’s off

around Europe doing the festivals. Maybe finish off the new year with another little run round the UK and get to some of the countries we haven’t yet visited. It is going to be a case of touring, touring, touring and getting ourselves playing to as many people as we possibly can.”Is it weird being back to, shall we say, more ‘intimate’ venues after all the arenas and flying white tigers?Richie: “It’s great, actually. I mean, don’t get me wrong – playing an arena is great and playing a festival to 85,000 people all going nuts, that’s pretty cool as well. But this tour we did in January, it really was fantastic to be playing these smaller venues. You’ve got the audience right in front of you, you can see the whites of their eyes and you can interact with them. You get a vibe of how things are going that you just don’t get from the stage of an arena. If you’re up there and there’s a good twenty feet between the stage and the start of the audience, you have no idea what’s going on out there. It’s really difficult to get the vibe, whereas when you’re onstage in a 200 or 300 capacity club, you can see everything that’s going on, right to the back of the room. I think it’s fantastic – you feed off the audience and they feed off you. It’s a far more intense experience and we all absolutely loved it. Just getting hot and sweaty and really feeding off the vibe of the crowd, it’s great.”Do you think Stone Gods can come close to the success of The Darkness? Does that even matter?

Richie: “It doesn’t matter to be honest and it also depends on how you measure success. My idea of success for this band would be for us to be at a level where we can carry on touring and we can carry on making records and if we could maintain that I’d be immensely happy – if things get too big too quickly, things can start to go pear-shaped, y’know? I certainly don’t think we’ll appeal to the crossover pop audience that The Darkness did, the kinda Saturday morning kids’ TV brigade. I don’t think we’ll pick up those fans at all, which to me is no bad thing really. Because once you start appealing to that audience, the only thing they’re really interested in is the next thing that’s coming along, whereas the core rock audience – which is hopefully what we’ll appeal to – is more real fan-based. If they like you then they’ll latch onto you and support you forever and that’s really important to us. As long as we have that core audience that allows us to tour and make records, we’ll be happy.”

So, will anyone expecting a Darkness Mk II from Stone Gods be disappointed?

Richie: “Yes is the short answer – we’re certainly not The Darkness Part 2. Some of the same influences are there but it is a very different beast really. For a start there’s no way that I could ever sing like Justin and his unique voice was a big part of The Darkness’ sound really. Even if we were playing The Darkness songs they’d sound completely different by the time I’d finished with them anyway. But the general sound of Stone Gods I’d say is far edgier than The Darkness was.”

How would you describe Stone Gods’ music?

Richie: “Because there’s four individuals we have a very diverse set of musical tastes and I think that’s reflected in the songs we write. We’re certainly not a one-trick pony. There is definitely that classic rock element in there. There are also folky elements if you will, there’s some out and out metal in there. The album is done and finished and ready to go and it’s a very, very diverse album. There’s a whole range of styles on there and that reflects the way that we wrote, which was the four of us just sat around with an acoustic guitar and a pad of paper, throwing sh*t at the wall and seeing what stuck. It was far more about writing songs than it was about writing big riffs and they just took the shapes they took. We didn’t sit down and go: ‘Okay, we need to be heavier than The Darkness’, we just let it evolve as it would. I’d say in essence we are a heavy rock band but there’s a lot of different elements on the album.”

Your debut EP Burn The Witch is actually out today – are you nervous? Excited?

Richie: “Hugely excited actually. I got sent a couple of copies last week and they look awesome. I’m expecting a phone call later and I believe – I read in an email this morning – that it’s actually already sold out. Which is pretty cool. I mean, it’s a limited edition release anyway. We

Richie Edwards

Date of Interview: February 2008

just wanted to get something out there and get a bit of interest going but I understand it has already sold out, which is pretty good. I should point out, you can still get it by download though…”

Nice plug, sir. You say the album’s finished – do you have a title and release date yet?

Richie: “We haven’t got a title yet. We’ve got a whole pad of A4 of band name ideas that didn’t quite stick but there’s some fantastic album titles on there so we’re going to go back through all that and pick a title. Release-wise it’s going to be this summer to tie in with the start of the festival season. What we’re hoping to do at this stage – and we are still putting the final plans together – is get a proper single release out in May and the album probably in mid-June. That’s the plan at the moment.”

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Defend or Die – Leicester De Montfort Hall 22.11.09

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The very first gig

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Leeders Farm provides new studio for Norfolk bands

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By David Keller
BBC Norfolk

Leeders Farm's second studio in Wymondham, Norfolk

Leeders Farm has opened up a new space for local bands

A Norfolk recording complex used by some of the UK’s top acts including Arctic Monkeys, Seasick Steve and KT Tunstall has opened a second studio to appeal to local acts.

Leeders Farm, owned by Dan Hawkins – the former member of Lowestoft band The Darkness and current guitarist with Stone Gods – is helping Norfolk musicians thrive by giving them a professional space to practice and record.

The new facilities at the residential recording complex in Wymondham seem to provide the perfect modus operandi and atmosphere for local talent to produce their music.

Sargasso Trio and Violet Violet are just two of the local acts which have made use of Leeders Farm in the past, but the facilities have also drawn in a plethora of international acts to the Norfolk countryside.

Indeed, without the studio, the cat suits and hair-metal guitar solos of The Darkness may never have made it into the public eye, with the band’s rock sound perfected at the complex.

If you’re lucky, Dan Hawkins may even make an appearance on your record, with Norfolk-based act Magnet Man already receiving the pleasure of the renowned guitarist walking in on his session.

Nick Brine, studio manager at Leeders Farm, talks about what makes the studios so special and what it means for the development of Norfolk talent.

Why was the studio built? What is its main purpose?

Leeders Farm's second studio in Wymondham, Norfolk

The opening of the second studio has been a success according to Nick Brine

The main priority of the studio is to make ourselves more widely available to the local music scene. We’re strong believers in grassroots level music.

Those who know Leeders Farm will already know about the number of local projects we’re involved in and our continued dedication to local artists and charities.

The main studio is now one of the busiest and best high-end commercial studios in the country – it is booked out most of the time to major artists and labels. This means it’s unavailable to local, unsigned artists and it’s sometimes beyond their budgets.

With the second studio we have the opportunity to provide excellent commercial facilities to local musicians and bands. There has been no compromise on the equipment and fully commercial recordings can be obtained.

What does Dan Hawkins think of it?

Dan loves the studio and has already used it for a few of his projects – he even decided to record his latest album with Stone Gods in the new studio, when he could have chosen anywhere in the world.

He really liked the feel of the place and found it very creative. Once he heard the vintage microphone pre-amps in there he was hooked, they really do sound amazing! Anyone hearing their new album can discover for themselves the depth and quality that can be achieved in there.

Are there any other studios expanding in the local area or have they become victim to the recession?

There are always small studios springing up but unfortunately most of them don’t last very long.

People think it’s an easy way to make some money doing something you love – in reality there’s so much more to it than making music. Without the contacts and experience it’s very hard to establish a strong client base.

Leeders Farm's second studio in Wymondham, Norfolk

The new studio is fitted with a range of hi-tech equipment

Not many studios expand nowadays but I think you need to be diverse and get involved in all aspects of the music business. You can’t spread yourself too thinly though or your primary business will suffer.

A lot of studios have been victims of the recession and the digital age. So much more can be done from home and on small budgets nowadays that there are less sessions around for big commercial spaces.

There will always be a place for studios like ours as bigger artists still want to get away and record together away from managers, record labels and the media. You just have to make sure you provide them with a service that makes them want to come back.

Smaller bands find it much more of a buzz and special experience coming into a studio than sitting in their bedrooms.

What do bands think of the new studio?

So far the feedback has been great with many repeat bookings. It’s a great creative space with a retro feel and it’s set in great surroundings.

Some local bands have been really excited to find that their favourite band is recording in the studio next door and they’ve managed to grab a chat and a cup of tea with them – that just adds to the buzz of the place.

Are there any Norfolk bands recording in the new space at the moment?

We’ve had some great local bands in the new space recently, I’ve been really impressed with the quality.

Recent artists include The Lost Levels, Fever Fever, Alloy Ark, Magnet Man, Bad Touch, Black Sharks and Nausia.

Dan has popped in to see a couple of these and even ended up playing on a couple of the records while he was there! Great treat for the bands, but Dan just loves being involved.

Any more future plans for the studio?

Justin Hawkins (left) and Dan Hawkins (right) of The Darkness

Dan Hawkins (right) and his brother Justin (left) played in The Darkness

We are looking to expand the record and distribution label. We want to continue doing one-off single releases with local unsigned acts and developing local talent.

We recently started a PR and band agency which is proving very successful.

The aim is to take bands out of their local circuit and take them to the next level, introducing them to a new, wider audience and introducing them to the music industry.

Our courses and song-writing workshops will also be expanded in 2010.

Because of the clients we have worked with, it makes it very appealing to local bands to be tutored by someone who can tell you exactly how What’s the Story? (Morning Glory) was made or how Bruce Springsteen sets his amplifiers or what The Stone Roses were like as a band.

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